Paragraph three, however, marks a small yet significant shift in the passage.
Walker begins the paragraph with "Turning her back on the rusty boards of her family's sharecropper cabin, Myop..." Myop's world is not behind her, but moves forward to the familiar woods.
For, in the last line, the images of the beginning are finally crushed.
Myop can no longer return to the world of flower-gathering or sun-lit skipping.
In the following sections, we will explore the setting, theme, and symbols of the story.
Let's begin our analysis of 'The Flowers' by taking a look at where and when it took place, the setting.Specifically, Myop is disoriented by the, "strangeness of the land." It was "not as pleasant" as her usual expeditions.Furthermore, words such as "gloomy" and "damp" reiterate the dark setting and prepare the reader for the grotesque conclusion of the story."..days had never been as beautiful as these..day a golden surprise." Surprise is the element Alice Walker presents in her story "The Flowers." It is at the heart of the meaning of this story which is driven forward by imagery, setting, and diction.In the beginning of the story, Walker utilizes diction that creates an atmosphere of euphoric childhood innocence.Essay Question: In a well-organized essay discuss how Alice Walker conveys the meaning of "The Flowers" and how she prepares the reader for the ending of this short story.Consider at least two elements of the writer's craft such as imagery, symbol, setting, narrative pace, diction, and style.Specifically, Myop feels "light and good" in the heat of the warm sun.In addition, ten year old Myop creates her own world in which nothing exists "but her song." In line 8, the use of onomatopoeia, "tat-de'ta'ta" reinforces the idea of a happy, carefree youth.Myop's family lives and works on a farm by mention of their 'sharecropper's cabin.' This detail also helps create a sense of the timeframe as sharecropping came about after the American Civil War during the Jim Crow law era from the mid-1860s to 1960s.Sharecroppers were poor, typically black folks who worked and lived on an owner's land in exchange for a portion of the crops they harvested.