Art Critical Essay Form Music Representation Responsibility

Art Critical Essay Form Music Representation Responsibility-2
The ideas about art outlined by Clement Greenberg and Harold Rosenberg are still debated today, and the extent to which they were debated in the past has shaped entire movements of the arts.Below are ten works of criticism through which one can trace the mainstreaming of Clement Greenberg’s formalist theory, and how its dismantling led us into institutional critique and conceptual art today.

The ideas about art outlined by Clement Greenberg and Harold Rosenberg are still debated today, and the extent to which they were debated in the past has shaped entire movements of the arts.Below are ten works of criticism through which one can trace the mainstreaming of Clement Greenberg’s formalist theory, and how its dismantling led us into institutional critique and conceptual art today.

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Jackson Pollock claimed to be the influence of “action painting,” despite Rosenberg’s rumored lack of respect for the artist because Pollock wasn’t particularly well-read.

Influenced by Marxist theory and French existentialism, Rosenberg conceives of a painting as an “arena,” in which the artist acts upon, wrestles, or otherwise engages with the canvas, in what ultimately amounts to an expressive record of a struggle.

Scholars such as John Demos, Lyndal Roper, Robin Briggs, and Steven Connor were no crude Freudians and often preferred Melanie Klein’s emphasis on motherhood to de Certeau’s Lacanian prioritization of language. and the relation of these two to sexual difference.” Both assume that a history of the body must be a history of what Roper calls “the physiological and psychological reality” of gender.

But they were all working within a tradition, derived ultimately from Freud’s predecessor Jean-Martin Charcot, that viewed possession through the lens of hysteria; and despite regular attempts to extend it to male patients, hysteria remains fundamentally associated with femininity. Similarly, it seems no great leap from the “porosity” and “openness” that Caciola finds in medieval female anatomy to Steven Connor’s Lacanian association of possession with “invaginated hollowness” and cultural perceptions of “the castration or deficiency of the female body.” A similar trend has been apparent in medical historiography.

“What was to go on the canvas,” Rosenberg wrote, “was not a picture but an event.” Notable Quote Weak mysticism, the “Christian Science” side of the new movement, tends …

toward easy painting—never so many unearned masterpieces!As part of the larger “culture wars” of the mid-century, art critics began to take on greater influence than they’d ever held before.For a time, two critics in particular—who began as friends, and remained in the same social circles for much of their lives—set the stakes of the debates surrounding the maturation of American art that would continue for decades.These late essays of Roland Barthes's are concerned with the visible and the audible, and here the preoccupations are particularly intense and rewarding, in part because Barthes was himself, by predilection, an artist and a musician, and in part because he was of two minds about the very possibility of attaching to art and to music a written text, a criticism.“Not by chance is the possessed body essentially female,” wrote Michel de Certeau in 1975. Up to the close of the last century, studies of early modern demonic possession were dominated by psychoanalytic perspectives, and it seems fair to say that such perspectives are more than usually likely to produce an association between possession and the female body.Works of this sort lack the dialectical tension of a genuine act, associated with risk and will.When a tube of paint is squeezed by the Absolute, the result can only be a Success.Nancy Caciola and Moshe Sluhovsky both agree that possession was linked to femininity but trace this link to premodern medical concepts of gender rather than twentieth-century psychiatric ones. It is therefore inevitably a gendered history” echoes the program of Roper’s provocatively titled : to investigate “the irrational and unconscious . Much of this work has focused on medical writings on womb diseases.The assertions of these historicist scholars are interestingly close to those of the psychoanalytic studies that preceded them. These scholars have broken with the notion that illnesses of this type can be “retrospectively diagnosed” as hysteria.Since both Freud and Charcot were influenced by their own studies of possession, moreover, the apparently natural “fit” between their theories and these phenomena is less convincing than their advocates sometimes assume. Much of the most significant work on early modern medicine and the gendered body has been generated by the sustained and hostile reaction against the “one-sex model” propounded in Thomas Laqueur’s .More recent studies have reached the same conclusion as de Certeau from a different and more strictly historicist angle. After Laqueur sensationally claimed that the premodern era lacked a binary concept of gender, a series of major studies devoted themselves to reassessing, and to some extent rebuilding, the anatomical and physiological premises of early modern sexual difference.

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